An Indictment of Contemporary Worship
Saturday, January 26th, 2008I think that by now it is no secret that I am far from being an advocate of what is called "contemporary worship" in the church. One can go so far as to say that I outright oppose the secularization of worship music, and for some reason I have not yet written out my reasons why. But I have ordered my thoughts, and it is more than apparent to me that the conversion of musical worship into a sensationalist, artsy and superficial neo-religious rock concert makes absolutely no sense to me. What confuses me even more than this movement's own inherent foolishness is how we were so imprudent as to allow it to even happen, especially given the theological context in which it has occurred.
Given the degree to which we have strayed from the original paradigm for musical worship, our current permutation of it is far from being worshipful, it is an insult to God. I find it alarming that there is no difference in appearance between pop/rock groups and so-called "Christian" musical groups. I have heard the catchphrase that is Romans 12:1 repeated and quoted ad nauseum, but to no effect. Here we are, supposedly making every effort to not conform to the world, and yet we think it's permissible to emulate the trends in secular music. God is being represented in the musical industry by talent-starved halfbrains wearing black eyeliner. And it has totally escaped Christian detection.
But undoubtedly the argument arises that it is the attitude of the worshiper that determines the quality of worship, and that the style of music makes no difference. Then someone might explain to me why not a single hymn has ever been sung at an FBC summer camp, and why there isn't so much as a solitary hymn in the youth worship books. But of course it's absurd to suggest that we would cater to the ever-growing population of youths, who are largely responsible for evaporating every semblance of ceremony and reverence from the church. We profusely point accusatory fingers at evangelical movements who strive to make Scripture more relevant and "up-to-date," but somehow it escapes all consciousness that we are doing the same thing with worship.
Not only has the quality of the music been seriously downgraded, but so has the quality of the church musician. The liturgical chorales of Bach and Handel required people with musical abilities, who could read music and play an instrument. That has been replaced with the buffoonery of anybody who can incontinently spew out chords on a guitar. The music of the former was written using a rhythmically precise and harmonically firm system of notation. But somebody thought that a more fitting replacement would be an arbitrary smattering of chords and words, which gives no indications of rhythm, orchestration or voicing.
We have fallen from the sacred worship that God requires. Our attempt to make worship more palatable for youths is causing a compromise of doctrine and respect for Him. I hope that at the very least there will come a realization of this much for anyone reading this.





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